Harold Seletsky  - A Life in Music

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Writings and Reviews
Writings
Writings by Harold Seletsky:
-- Harold Seletsky, “Quartertone Fingerings for the Boehm System Clarinet (chart),” in: Pitch for the International Microtonalist I/4, Spring 1990, 88-92.
-- Harold Seletsky, “Why I Speak in Quartertones,” in: Ear Magazine East 11-12, no. 1, 1982/1983, p. 7.
Selected Reviews of Harold Seletsky’s Music:
-- J. B., “Harold Seletsky, Clarinetist Bows,” New York Times, 21 April 1957.
-- Harold C. Schonberg, “Seletsky’s Music Heard at Concert,” New York Times, 23 April 1960
-- Eric Salzman, “Concert Stresses New Compositions,” New York Times, 13 May 1961.
-- “Ensemble Plays Serialist Works. Joseph Scianni and Harold Seletsky Represented,” New York Times, 2 May 1962.
-- Theodore Strongin, “Works by Harold Seletsky,” New York Times, 16 May 1965.
-- Carman Moore, “Spring Thoughts,” Village Voice, 15, no. 34 1968.
-- “Harold Seletsky Conducts New Amsterdam Ensemble,” New York Times, 27 May 1968
-- Booke Wentz, “Microtonal Festival to begin Tuesday,” Columbia Daily Spectator, 21 March 1983.
-- Quinn Batson, “Microtonal Music Both Baffling and Beautiful,” Prospect Press 31, 31 March-13 April 1983.
-- Bill Bell “Honk! Beep! Huh?” City Lights Daily News, 25 May 1986.
-- “American Festival of Microtonal Music,” Ear 11, no. 5/12, no. 1. 1987.
-- Bernard Holland, “Concert: A Sampling of Microtonal Music,” New York Times, 4 November 1986.
-- Michael Kimmelman, “Opera: 2 One-Acts,” New York Times, 18 June 1987.
-- Robert Jurgrau, “Microtones and Madness: Harold Seletsky’s Songs of Insanity,” Pitch 1, no. 2, summer 1987.
-- Bill Johnson, “Concert Benefits St. Anthony’s,” Register Herald, 7 August 1991.
-- Jennifer Rivera, “Jewish Folk Music Comes to Pine Plains,” Register Herald, 27 August 1992.
-- Lee Shepherd, “Like Father, Like Child,” Press & Sun-Bulletin, 16 November 1992.
-- “The Booba Beat Goes On,” Folk Roots 114, December 1992.
-- “Klezmer, Yiddish, Folk, Jazz and Rock,” Jewish Week, 4-10 December 1992.
-- “Off the beaten track: Freylekhs 21,” in: Sing Out! 37, no. 4, 1993, p. 151-152.
-- Ernest M. Fishman, “Capacity Crowd Treated to Sounds of West End Klezmorim,” Freeman’s Journal, 29 September 1993.
-- “Graham’s New Season,” New York Times, 7 October 1993.
-- Frances M. Platt, “West End Story. Incredible Klezmer Music Makes Its Way to New A52Paltz,” Local Color, 15 September 1994.
-- Paula Rodenas, “Klezmer Music Coming to The Stage in Merrick,” Merrick Life, 19 January 1995.
-- Paul Rippa “Seletsky Plays Klezmer with Gusto,” Herald Register, 6 July 1995.
-- “Klezmer Musician Returns for Riverdale-SHJ Concert,” Riverdale Review, 17 March 1996
-- Lois M. Rogers, “Temple’s Klezmer Concert Strikes Chords in the Heart,” Asbury Park Press, 1 May 1996.
-- Lawrence Van Gelder, “A Lilting History of Klezmer, With a Little Shtick Added,” in: New York Times, 4 April 1998.
-- “Music Men,” Gannett Newspapers, 15 April 1998.
-- Elizabeth Backman Potter, “Stellar Performances,” Country and Abroad, September 2001.
-- “Klez Goes Gospel,” in: New York Jewish Week, 3 December 2004.
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